
김호은
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김호은
Basic Info
- Gender
- Not specified
- Position
- Actor
- Birth Year
- -
- Body Info
- - / -
- Location
- Gyeonggi-do
- Agency
- 무소속
Nationality
Languages
Hobbies
About
I am Kim Ho-eun, grateful for the opportunity you have given me and committed to achieving the best possible results.
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Career
This is The Sound of the Flute, an object puppet theater production by Choin Theatre Company. I played the role of the protagonist, the “Drifting Boy.”
This is a repertory play by Choin Theatre Company, a wordless performance composed of movement and mime. I played the role of the protagonist, the “Magician Grandfather.”
This production was created by Choin Theatre Company and premiered in 2016. It continues to be performed regularly on a nationwide tour. I played the roles of “Muja” and the “Cat Waiter.”
Anton Chekhov’s The Three Sisters. I played the role of Andrei.
The Dream of Korea is a play depicting the joys and sorrows of migrant workers. I played the role of a migrant worker.
A black comedy by Spanish playwright Juan Mayorga that examines human greed and history through the eyes of a tortoise that lived for 176 years. I played the role of the “Professor,” who seeks to study the tortoise.
Anton Chekhov’s one-act plays The Bear and The Anniversary. In The Bear, I played Luka, the old servant; in The Anniversary, I played Shipuchin, the protagonist and bank manager.
A stage adaptation of José Saramago’s novel The City of the Blind. I played the government minister serving as Foreign Minister.
Shakespeare’s Macbeth. I played the role of Prince Malcolm.
A theatrical work created from testimonies gathered from victims of the Gwangju Democratization Movement. I played the role of a “Victim.”
The Typists, a play by Murray Schisgal, is a two-person drama about Paul and Sylvia, a man and woman who make a living typing in a cramped office. I played the role of Paul Cunningham.
Choin Theatre Company’s The Merchant of Venice is a physical theater reinterpretation of Shakespeare’s original work, portraying the madness of people who believe in the collective intellect.
Why Are We Still Being Tested? is a modern adaptation of Arthur Miller’s The Crucible by Yemori Theatre Company. Six actors vividly portray, over two hours, the social trials that recur even today, as collective madness, distrust, and lies overshadow the truth.
Education
Humanities
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