Joo-young (Lee Sun-bin) and Joo-hee (Han Soo-ah) are sisters. One day, Joo-hee disappears after suffering from unidentified inter-floor noise coming from somewhere in the apartment. Joo-young begins tracking down her missing sister with Joo-hee’s boyfriend, Ki-hoon (Kim Min-seok). Meanwhile, the man downstairs (Ryu Kyung-soo), believing that the source of the noise is the sisters, Joo-young and Joo-hee, threatens to kill them. The former women’s association president previously lived in Unit 704 and appears as a character who has become extremely sensitive after suffering from inter-floor noise. She holds the key to the mystery behind the noise currently taking place.

Yoon-soo (Jeon Do-yeon), framed as the suspect in her husband’s murder, and Mo-eun (Kim Go-eun), a mysterious woman known as a witch. A mystery thriller about what unfolds between two women with many secrets. Inmate 3 is incarcerated in the same cell as Yoon-soo. At first, she ignores and mocks Yoon-soo along with the other inmates, but after seeing news that Yoon-soo is not a murderer, she begins to feel compassion for her.

Tae-jeo (Song Ji-hyo), a prison officer with 15 years of experience, learns while on duty that Mi-young (Ok Ji-young), an inmate under her care, has lost her mother. One winter night, Tae-jeo and Mi-young’s daughter, Jun-young (Do Young-seo), have an unexpected encounter at a funeral home. Their brief meeting creates a warm rupture in both their lives and ultimately forms a bond among the three characters. Section Chief Min is Tae-jeo’s junior colleague, a strict principled character who clearly distinguishes public duty from private matters and challenges Tae-jeo’s actions.

A story about a relentless investigative reporting team that points its cameras at everything in order to fully expose the wrongdoings of bad people in this flower-like world. Zombie Woman is a member of a cult that manufactures drugs and uses them to control and manipulate people. Appearing in a zombie-like state, she attacks Kang Ki-ho (Jung Sung-il), who had gone out to report on the story.

Two families—Moon-ho (Lim Hoo-sung) and Go-eun (Lee Soo-jung), and Do-kyung (Lee Do-jin) and Sa-rang (Kim Sa-rang)—try to obtain an apartment through a fake marriage in order to secure a stable life, but owning a place of their own is never easy. Rather than scolding her younger brother for his illegal activities, Do-kyung’s older sister supports him quietly from behind and fills the gaps where he needs help. She is Do-kyung’s only pillar of support. A highly responsible character, she always considers and puts into practice realistic alternatives, eventually embracing a new family—Moon-ho and Go-eun—as well.

A world where desires become monsters. Hyun-soo (Song Kang) and the survivors of Green Home fight to survive in a new settlement after leaving Green Home, while new beings and inexplicable mysterious phenomena emerge. The series portrays new desires, incidents, and struggles for survival. The Wedding Dress Monster became a monster after witnessing her husband’s death on their wedding day, turning her longing for him into a grudge. While wandering in search of her lost wedding ring, she mistakes a bald soldier who resembles her husband for him and follows him. She represents a benevolent desire—love—with no aggression whatsoever.

Terrible rumors circulate around the ailing king. Joseon is engulfed in darkness, and its people suffer from a strange plague. The crown prince is the only hope of saving the people from the unknown evil. In Season 1, the Nursing Mother is one of the people who, unable to endure the famine, eventually resorts to eating humans. After consuming human flesh, she becomes a plague patient—a zombie—and attacks people indiscriminately through Season 2.

An actor, whose profession is to move and express, opens a flea market where everyday livelihood movements of modern people—greeting, nodding, laughing, standing, gazing, breathing, and speaking—are reenacted and sold in order to make a living. Each movement is sold per performance (approximately 2–3 minutes), and the price may vary according to the Minimum Wage Act. Customers can watch the movement on-site immediately after purchasing it and may choose a viewing location as long as it is not too far from the venue. Those who wish to watch it at a completely different time or place can make a reservation purchase. The movements are documented in photographs or videos from the buyer’s or observer’s perspective. A performance work directly conceived, produced, and performed by the artist.

Mi-kyung (Bae Jong-ok) lives apart from her husband while raising her high-school senior son, Soo-hyun (Ji Yoon-ho). Soo-hyun is not especially affectionate toward his mother, but he is a good son. One day, he brings his troubled friend Yong-joon (Lee Won-keun) home to stay with them. Yong-joon is a young man who speaks little and has a somber expression. Several years later, after completing his military service, Soo-hyun is involved in an accident during a trip with Yong-joon and falls into critical condition. Mi-kyung stays by her son’s side as he lives in a vegetative state, resenting Yong-joon, who returned unharmed. Later, after learning that Soo-hyun and Yong-joon were in love with each other, Mi-kyung secretly disappears with her son, without telling Yong-joon. Left alone, Yong-joon searches for Soo-hyun and Mi-kyung. The surgeon explains Soo-hyun’s condition to his parents, delivering news as devastating as a bolt from the blue in an utterly calm, matter-of-fact manner, as though conveying routine information.

A program for learning and practicing the basic movements needed to become the perfect bride. It includes beauty, wedding, and housework classes, with childcare tips provided in each lesson. Participants can practice at home alone by purchasing photographs showing examples of beautiful brides or videos demonstrating the movements to follow. A performance work directly conceived, produced, and performed by the artist.

The work observes a bride holding a wedding and the images in media, combines the commonalities discovered with the actor’s daily life, and reconstructs them into five episodes. The actor leads the situation as if conversing with her own voice while it performs another character. In the latter part, the actor and staff talk about what they actually felt regarding the situation that has just occurred, once again blurring the boundary between reality and fiction. It also incorporates a formal experiment in which the work is viewed over two days: footage filmed during Acts 1–5 at each performance is collected and watched all at once in a setting framed as an editing room. A theater work directly conceived, produced, directed, and performed by the artist.

A music video for ‘You, You, You,’ a song by singer ‘Wax,’ produced in a dramatized format. A sad love story between Soo-yeon, who becomes bedridden in a vegetative state after an unfortunate accident, and her longtime lover, who cares for her deeply.

Ji-hyun (Woo Ji-hyun), a student of Korean language and literature at a regional university, returns to school after completing military service. Despite her hopes and excitement, starting anew is not easy amid the campus’s anxious atmosphere. She leaves campus on an unexpected journey with Hye-rin (Lee Hye-a), a junior in a similar situation. The nurse works at a hospital performing illegal abortions and treats Ji-hyun and Hye-rin, who have come to terminate a pregnancy, with a consistently businesslike and dry attitude.

Byung-seo is invited to the Marginal Theatre Festival and draws Deok-jun into the project. Deok-jun brings in Nari and Yeong-jo, and dissatisfied with this, Byung-seo also brings in Dae-geon, Eun-sol, and Go-eun. As Byung-seo and Deok-jun attempt to create a play with members who have no theatrical experience, they reach their limits and begin recruiting actors through auditions. Seon-young, Heo-jin, and Sung-eun join through the auditions, but are confused by the troupe’s lack of professionalism, and as the performance date approaches, the play continues to veer in increasingly strange directions.

Symbolizing emotional laborers, the choir members repeatedly cry, laugh, and stop according to the direction of ‘Ambiguity,’ whose identity cannot be precisely known because its face is concealed.

Western Painting

03/2003 ~ 02/2007